King Crimson: In The Court Of The Crimson King (An Observation By King Crimson) LTD versie op vinyl LP in limited remastered editie. Deze specifieke uitgave werd uitgebracht in Europa en VS bij uitgeverij Panegyric in samenwerking met Discipline Global Mobile op 26. juni 2020.
...an extraordinary masterpiece - Pete Townshend, 1969. This quote will always be associated with this album. At the time of the album's release, it was used in an advertisement. Despite the many false promises in the ad, it has stood the test of time. It's easy to forget how quickly things evolved in the first incarnation of King Crimson: They formed on 13 January 1969, by April they were already playing regularly at clubs like The Marquee and The Speakeasy and performing at the Lyceum with Tyrannosaurus Rex, in May they made the first of two recordings for the BBC, in June they held their first (aborted) album recording session, and in early July, in a major breakthrough, they played to 650,000 people in Hyde Park as support to the Rolling Stones.Recording the album in August, signing a deal with Island Records (and Atlantic in the US), missing the Isle of Wight festival due to illness/exhaustion, more gigs and a second BBC session in September, a unanimously praised Top 5 album in the UK, followed by a Top 30 debut in the US a few weeks later, then a US tour - performing at legendary venues like the Boston Tea Party, Kinetic Playground in Chicago, the Fillmore East in New York, and more shows with the Rolling Stones - this time at the Miami festival and, after a series of December shows at the Fillmore West in San Francisco, ended as quickly as it began - the arc from formation to the band's breakup lasted little more than 11 months. What remains is an iconic - both musically and in terms of cover art - self-produced debut album, a fearsome touring reputation, and the sense that the band had set its own agenda in its short existence.King Crimson have returned in many different line-ups over the years - each different from its predecessors, and with two shows at the Palladium in late 2018 and three shows at the Royal Albert Hall in June 2019, the current line-up has played to more people in London, the city where the band started, than at any time since 1969, and played more material from 1969 than any line-up since the original. The current line-up has more than once been described as "the best touring band in the world" - something that was also said of the original group.The studio recordings of the first King Crimson are still masterpieces fifty years on. Recorded in ten days and released on 10 October 1969, In the Court of the Crimson King is one of the albums that defined British rock music, and one of the best debut albums of all time. Pete Townshend has described the album, which has earned legendary status over the years, as "a wondrous masterpiece". It is the only studio document of an extraordinary year in the life of King Crimson. It began with the band's first rehearsal on 13 January, gigs at the Marquee Club in Hyde Park with the Rolling Stones, the recording and release of their first album, and the break-up of the line-up after their first US tour. This release was created directly from recently rediscovered original tapes by renowned engineer Simon Heyworth. The artwork was approved by King Crimson founder Robert Fripp.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. 200g 40th Anniversary 200 Gram Gatefold Vinyl Limited Edition.
A1 | 21st Century Schizoid Man | ||
A2 | I Talk To The Wind | ||
A3 | Epitaph | ||
B1 | Moonchild | ||
B2 | The Court Of The Crimson King |
King Crimson: In The Court Of The Crimson King (An Observation By King Crimson) versie op vinyl 2LP in standaard editie. Deze specifieke uitgave werd uitgebracht in Europa bij uitgeverij Panegyric in samenwerking met Discipline Global Mobile, Inner Knot en Wowow Entertainment, Inc. op 10. juni 2022.
...an extraordinary masterpiece - Pete Townshend, 1969. This quote will always be associated with this album. At the time of the album's release, it was used in an advertisement. Despite the many false promises in the ad, it has stood the test of time. It's easy to forget how quickly things evolved in the first incarnation of King Crimson: They formed on 13 January 1969, by April they were already playing regularly at clubs like The Marquee and The Speakeasy and performing at the Lyceum with Tyrannosaurus Rex, in May they made the first of two recordings for the BBC, in June they held their first (aborted) album recording session, and in early July, in a major breakthrough, they played to 650,000 people in Hyde Park as support to the Rolling Stones.Recording the album in August, signing a deal with Island Records (and Atlantic in the US), missing the Isle of Wight festival due to illness/exhaustion, more gigs and a second BBC session in September, a unanimously praised Top 5 album in the UK, followed by a Top 30 debut in the US a few weeks later, then a US tour - performing at legendary venues like the Boston Tea Party, Kinetic Playground in Chicago, the Fillmore East in New York, and more shows with the Rolling Stones - this time at the Miami festival and, after a series of December shows at the Fillmore West in San Francisco, ended as quickly as it began - the arc from formation to the band's breakup lasted little more than 11 months. What remains is an iconic - both musically and in terms of cover art - self-produced debut album, a fearsome touring reputation, and the sense that the band had set its own agenda in its short existence.King Crimson have returned in many different line-ups over the years - each different from its predecessors, and with two shows at the Palladium in late 2018 and three shows at the Royal Albert Hall in June 2019, the current line-up has played to more people in London, the city where the band started, than at any time since 1969, and played more material from 1969 than any line-up since the original. The current line-up has more than once been described as "the best touring band in the world" - something that was also said of the original group.The studio recordings of the first King Crimson are still masterpieces fifty years on. Recorded in ten days and released on 10 October 1969, In the Court of the Crimson King is one of the albums that defined British rock music, and one of the best debut albums of all time. Pete Townshend has described the album, which has earned legendary status over the years, as "a wondrous masterpiece". It is the only studio document of an extraordinary year in the life of King Crimson. It began with the band's first rehearsal on 13 January, gigs at the Marquee Club in Hyde Park with the Rolling Stones, the recording and release of their first album, and the break-up of the line-up after their first US tour. This release was created directly from recently rediscovered original tapes by renowned engineer Simon Heyworth. The artwork was approved by King Crimson founder Robert Fripp.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. 200g 200 Gram Gatefold Vinyl 50th Anniversary Edition.
King Crimson: In The Court Of The Crimson King versie op vinyl LP in standaard editie. Deze specifieke uitgave werd uitgebracht in VS en VK bij uitgeverij Discipline Global Mobile in samenwerking met Panegyric en Inner Knot op 10. juni 2022.
...an extraordinary masterpiece - Pete Townshend, 1969. This quote will always be associated with this album. At the time of the album's release, it was used in an advertisement. Despite the many false promises in the ad, it has stood the test of time. It's easy to forget how quickly things evolved in the first incarnation of King Crimson: They formed on 13 January 1969, by April they were already playing regularly at clubs like The Marquee and The Speakeasy and performing at the Lyceum with Tyrannosaurus Rex, in May they made the first of two recordings for the BBC, in June they held their first (aborted) album recording session, and in early July, in a major breakthrough, they played to 650,000 people in Hyde Park as support to the Rolling Stones.Recording the album in August, signing a deal with Island Records (and Atlantic in the US), missing the Isle of Wight festival due to illness/exhaustion, more gigs and a second BBC session in September, a unanimously praised Top 5 album in the UK, followed by a Top 30 debut in the US a few weeks later, then a US tour - performing at legendary venues like the Boston Tea Party, Kinetic Playground in Chicago, the Fillmore East in New York, and more shows with the Rolling Stones - this time at the Miami festival and, after a series of December shows at the Fillmore West in San Francisco, ended as quickly as it began - the arc from formation to the band's breakup lasted little more than 11 months. What remains is an iconic - both musically and in terms of cover art - self-produced debut album, a fearsome touring reputation, and the sense that the band had set its own agenda in its short existence.King Crimson have returned in many different line-ups over the years - each different from its predecessors, and with two shows at the Palladium in late 2018 and three shows at the Royal Albert Hall in June 2019, the current line-up has played to more people in London, the city where the band started, than at any time since 1969, and played more material from 1969 than any line-up since the original. The current line-up has more than once been described as "the best touring band in the world" - something that was also said of the original group.The studio recordings of the first King Crimson are still masterpieces fifty years on. Recorded in ten days and released on 10 October 1969, In the Court of the Crimson King is one of the albums that defined British rock music, and one of the best debut albums of all time. Pete Townshend has described the album, which has earned legendary status over the years, as "a wondrous masterpiece". It is the only studio document of an extraordinary year in the life of King Crimson. It began with the band's first rehearsal on 13 January, gigs at the Marquee Club in Hyde Park with the Rolling Stones, the recording and release of their first album, and the break-up of the line-up after their first US tour. This release was created directly from recently rediscovered original tapes by renowned engineer Simon Heyworth. The artwork was approved by King Crimson founder Robert Fripp.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. 200g 200 Gram Gatefold Vinyl.
King Crimson: In The Court Of The Crimson King (An Observation By King Crimson) DLX versie op 3CD/Doos/Blu-ray in deluxe remastered editie. Deze specifieke uitgave werd uitgebracht in Europa en VK bij uitgeverij Discipline Global Mobile in samenwerking met Panegyric op 25. oktober 2019.
...an extraordinary masterpiece - Pete Townshend, 1969. This quote will always be associated with this album. At the time of the album's release, it was used in an advertisement. Despite the many false promises in the ad, it has stood the test of time. It's easy to forget how quickly things evolved in the first incarnation of King Crimson: They formed on 13 January 1969, by April they were already playing regularly at clubs like The Marquee and The Speakeasy and performing at the Lyceum with Tyrannosaurus Rex, in May they made the first of two recordings for the BBC, in June they held their first (aborted) album recording session, and in early July, in a major breakthrough, they played to 650,000 people in Hyde Park as support to the Rolling Stones.Recording the album in August, signing a deal with Island Records (and Atlantic in the US), missing the Isle of Wight festival due to illness/exhaustion, more gigs and a second BBC session in September, a unanimously praised Top 5 album in the UK, followed by a Top 30 debut in the US a few weeks later, then a US tour - performing at legendary venues like the Boston Tea Party, Kinetic Playground in Chicago, the Fillmore East in New York, and more shows with the Rolling Stones - this time at the Miami festival and, after a series of December shows at the Fillmore West in San Francisco, ended as quickly as it began - the arc from formation to the band's breakup lasted little more than 11 months. What remains is an iconic - both musically and in terms of cover art - self-produced debut album, a fearsome touring reputation, and the sense that the band had set its own agenda in its short existence.King Crimson have returned in many different line-ups over the years - each different from its predecessors, and with two shows at the Palladium in late 2018 and three shows at the Royal Albert Hall in June 2019, the current line-up has played to more people in London, the city where the band started, than at any time since 1969, and played more material from 1969 than any line-up since the original. The current line-up has more than once been described as "the best touring band in the world" - something that was also said of the original group.The studio recordings of the first King Crimson are still masterpieces fifty years on. Recorded in ten days and released on 10 October 1969, In the Court of the Crimson King is one of the albums that defined British rock music, and one of the best debut albums of all time. Pete Townshend has described the album, which has earned legendary status over the years, as "a wondrous masterpiece". It is the only studio document of an extraordinary year in the life of King Crimson. It began with the band's first rehearsal on 13 January, gigs at the Marquee Club in Hyde Park with the Rolling Stones, the recording and release of their first album, and the break-up of the line-up after their first US tour. This release was created directly from recently rediscovered original tapes by renowned engineer Simon Heyworth. The artwork was approved by King Crimson founder Robert Fripp.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. 50th Anniversary Box Set Edition.
King Crimson: In The Court Of The Crimson King - An Observation By King Crimson versie op CD in remastered editie. Deze specifieke uitgave werd uitgebracht in Europa bij uitgeverij Discipline Global Mobile op 17. mei 2019.
...an extraordinary masterpiece - Pete Townshend, 1969. This quote will always be associated with this album. At the time of the album's release, it was used in an advertisement. Despite the many false promises in the ad, it has stood the test of time. It's easy to forget how quickly things evolved in the first incarnation of King Crimson: They formed on 13 January 1969, by April they were already playing regularly at clubs like The Marquee and The Speakeasy and performing at the Lyceum with Tyrannosaurus Rex, in May they made the first of two recordings for the BBC, in June they held their first (aborted) album recording session, and in early July, in a major breakthrough, they played to 650,000 people in Hyde Park as support to the Rolling Stones.Recording the album in August, signing a deal with Island Records (and Atlantic in the US), missing the Isle of Wight festival due to illness/exhaustion, more gigs and a second BBC session in September, a unanimously praised Top 5 album in the UK, followed by a Top 30 debut in the US a few weeks later, then a US tour - performing at legendary venues like the Boston Tea Party, Kinetic Playground in Chicago, the Fillmore East in New York, and more shows with the Rolling Stones - this time at the Miami festival and, after a series of December shows at the Fillmore West in San Francisco, ended as quickly as it began - the arc from formation to the band's breakup lasted little more than 11 months. What remains is an iconic - both musically and in terms of cover art - self-produced debut album, a fearsome touring reputation, and the sense that the band had set its own agenda in its short existence.King Crimson have returned in many different line-ups over the years - each different from its predecessors, and with two shows at the Palladium in late 2018 and three shows at the Royal Albert Hall in June 2019, the current line-up has played to more people in London, the city where the band started, than at any time since 1969, and played more material from 1969 than any line-up since the original. The current line-up has more than once been described as "the best touring band in the world" - something that was also said of the original group.The studio recordings of the first King Crimson are still masterpieces fifty years on. Recorded in ten days and released on 10 October 1969, In the Court of the Crimson King is one of the albums that defined British rock music, and one of the best debut albums of all time. Pete Townshend has described the album, which has earned legendary status over the years, as "a wondrous masterpiece". It is the only studio document of an extraordinary year in the life of King Crimson. It began with the band's first rehearsal on 13 January, gigs at the Marquee Club in Hyde Park with the Rolling Stones, the recording and release of their first album, and the break-up of the line-up after their first US tour. This release was created directly from recently rediscovered original tapes by renowned engineer Simon Heyworth. The artwork was approved by King Crimson founder Robert Fripp.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. HdCD Original Master Edition.
King Crimson: The Complete 1969 Recordings LTD versie op 26CD in remastered limited editie. Deze specifieke uitgave werd uitgebracht in Verenigd Koninkrijk bij uitgeverij Discipline Global Mobile in samenwerking met Panegyric en Wowow Entertainment, Inc. op 6. november 2020.
The Complete 1969 CatalogueIn 1969, King Crimson released their debut album, "In The Court Of The Crimson King".In 2020, fans of the British progressive rock icons can look forward to a very special release: the "The Complete 1969 Recordings" box set, featuring 20 CDs, a DVD, DVD-Audio, 3 Blu-ray-Audio discs and a Blu-ray disc.The collection contains the complete audio catalogue of the legendary debut album, including live and studio recordings."The Complete 1969 Recordings" includes a brand new Dolby Atmos mix of "In The Court Of The Crimson King" by none other than star producer Steven Wilson, six discs of studio recordings now available for the first time, and another disc of newly compiled studio material.In addition, you'll find the original studio albums, all the familiar alternate takes, all the familiar mixes, all the familiar live recordings, and a selection of pre-King Crimson recordings by Giles, Giles and Fripp.The full track listing for "The Complete 1969 Recordings" can be found below. Packaged in a large vinyl box with a booklet featuring an introduction by Robert Fripp, liner notes by David Singleton, sleeve notes by King Crimson biographer Sid Smith, never-before-seen photos from the recording sessions and other memorabilia.An exciting glimpse into the past, a gigantic box set, an absolute highlight for all fans: here are "The Complete 1969 Recordings" by King Crimson.Contents:Disc / CD 1: Live At The Hyde ParkDisc / CD 2: Live At The MarqueeDisc / CD 3: Live At PlumptonDisc / CD 4+5: Live At ChesterfieldDisc / CD 6: Live At The Fillmore EastDisc / CD 7: Live At The Fillmore WestDisc / CD 8: Original Master EditionDisc / CD 9: Alternate AlbumDisc / CD10: 2009 Stereo MixesDisc / CD11: 2019 Stereo MixesDisc / CD12: Let's Make A Hit WaxingDisc / CD13-18: SessionsDisc19: DVD-Audio: SessionsDisc20: DVD-Audio: 2019 MixesDisc21: Blu-ray Audio 1: SessionsDisc22: Blu-ray Audio 2: 2009 MixesDisc23: Blu-ray Audio 3: 2019 Mixes + (+1 Video)Disc24: Blu-ray Audio: 2020 MixesDisc / CD25: Giles Giles And FrippDisc / CD26: BBC Sessions
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. Atmos.
Live At Hyde Park, July 5, 1969 | |||
CD1-1 | King Crimson: 21st Century Schizoid Man | 6:37 min | |
CD1-2 | King Crimson: The Court Of The Crimson King | 6:31 min | |
CD1-3 | King Crimson: Get Thy Bearings | 8:59 min | |
CD1-4 | King Crimson: Announcement (Incomplete) | 0:43 min | |
CD1-5 | King Crimson: Epitaph | 4:20 min | |
CD1-6 | King Crimson: Mantra | 3:12 min | |
CD1-7 | King Crimson: Travel Weary Capricorn | 5:38 min | |
CD1-8 | King Crimson: Mars | 3:34 min | |
CD1-9 | King Crimson: Band Reunion Meeting | 14:52 min | |
Live At The Marquee, July 6, 1969 | |||
CD2-1 | 21st Century Schizoid Man | 6:21 min | |
CD2-2 | King Crimson: Drop In | 5:42 min | |
CD2-3 | Announcement (Incomplete) | 0:43 min | |
CD2-4 | King Crimson: I Talk To The Wind | 4:34 min | |
CD2-5 | Epitaph (Incomplete) | 3:21 min | |
CD2-6 | Travel Weary Capricorn | 11:07 min | |
CD2-7 | King Crimson: Improv (Inc Nola And Etude No. 7) | 12:29 min | |
CD2-8 | Mars | 8:22 min | |
Live At Plumpton Festival, August 9 1969 | |||
CD3-1 | 21st Century Schizoid Man | 7:36 min | |
CD3-2 | Get Thy Bearings | 10:49 min | |
CD3-3 | Announcement | 0:17 min | |
CD3-4 | The Court Of The Crimson King | 7:02 min | |
CD3-5 | Mantra | 8:49 min | |
CD3-6 | Travel Weary Capricorn | 3:58 min | |
CD3-7 | Improv (Including By The Sleeping Lagoon) | 8:53 min | |
CD3-8 | Mars | 8:05 min | |
Live In Chesterfield, September 6, 1969 | |||
CD4-1 | 21st Century Schizoid Man | 8:19 min | |
CD4-2 | Drop In | 6:36 min | |
CD4-3 | Announcement | 0:47 min | |
CD4-4 | Epitaph | 8:13 min | |
CD4-5 | Get Thy Bearings | 18:36 min | |
CD4-6 | Announcement | 1:23 min | |
CD4-7 | I Talk To The Wind | 5:11 min | |
CD5-1 | Announcement | 0:50 min | |
CD5-2 | The Court Of The Crimson King | 7:09 min | |
CD5-3 | Mantra | 5:56 min | |
CD5-4 | Travel Weary Capricorn | 8:01 min | |
CD5-5 | Improv | 8:40 min | |
CD5-6 | Mars | 8:22 min | |
Live At The Fillmore East, November 21 & 22, 1969 | |||
CD6-1 | The Court Of The Crimson King (Incomplete) | 2:16 min | |
CD6-2 | Announcement | 0:20 min | |
CD6-3 | King Crimson: A Man, A City | 11:44 min | |
CD6-4 | Announcement | 0:37 min | |
CD6-5 | Epitaph | 7:43 min | |
CD6-6 | Announcement | 0:21 min | |
CD6-7 | 21st Century Schizoid Man | 8:05 min | |
CD6-8 | The Court Of The Crimson King (Incomplete) | 2:01 min | |
CD6-9 | Announcement | 0:16 min | |
CD6-10 | A Man, A City | 11:51 min | |
CD6-11 | Announcement | 0:29 min | |
CD6-12 | Epitaph | 7:40 min | |
CD6-13 | Announcement | 0:52 min | |
CD6-14 | 21st Century Schizoid Man | 7:56 min | |
Live At The Fillmore West, December 13 & 14, 1969 | |||
December 13 | |||
CD7-1 | Mantra | 3:46 min | |
CD7-2 | Travel Weary Capricorn | 3:17 min | |
CD7-3 | King Crimson: Improv Travel Bleary Capricorn | 2:23 min | |
CD7-4 | Mars | 8:57 min | |
December 14 | |||
CD7-5 | The Court Of The Crimson King | 7:00 min | |
CD7-6 | Announcement | 0:23 min | |
CD7-7 | Drop In | 5:15 min | |
CD7-8 | A Man, A City | 11:20 min | |
CD7-9 | Announcement | 0:24 min | |
CD7-10 | Epitaph | 7:31 min | |
CD7-11 | Announcement | 0:50 min | |
CD7-12 | 21st Century Schizoid Man | 7:37 min | |
CD7-13 | Announcement | 0:25 min | |
CD7-14 | Mars | 9:44 min | |
In The Court Of The Crimson King, Original Master Edition, Expanded | |||
CD8-1 | 21st Century Schizoid Man | 7:22 min | |
CD8-2 | I Talk To The Wind | 6:05 min | |
CD8-3 | Epitaph | 8:48 min | |
CD8-4 | King Crimson: Moonchild | 12:13 min | |
CD8-5 | The Court Of The Crimson King | 9:28 min | |
Additional Material | |||
CD8-6 | 21st Century Schizoid Man | 6:46 min | |
CD8-7 | I Talk To The Wind | 4:15 min | |
CD8-8 | Epitaph | 9:06 min | |
CD8-9 | The Court Of The Crimson King (Single A Side) | 3:23 min | |
CD8-10 | The Court Of The Crimson King (Single B Side) | 4:30 min | |
In The Court Of The Crimson King, Alternate Album, Expanded | |||
CD9-1 | King Crimson: Wind Session | 4:27 min | |
CD9-2 | 21st Century Schizoid Man (Morgan Studio Version With Overdubs) | 6:46 min | |
CD9-3 | I Talk To The Wind (Alt 2019 Mix) | 6:35 min | |
CD9-4 | I Talk To The Wind (Duo Version 2019 Mix) | 7:17 min | |
CD9-5 | Epitaph (Isolated Vocal 2019 Mix) | 5:44 min | |
CD9-6 | Epitaph (Alt Take 2019 Mix) | 9:30 min | |
CD9-7 | Moonchild (Take One 2019 Mix) | 2:21 min | |
CD9-8 | The Court Of The Crimson King (Take 3 2019 Mix) | 7:10 min | |
CD9-9 | 21st Century Schizoid Man (Trio Version 2019 Mix) | 7:05 min | |
In The Court Of The Crimson King 2009 Stereo Mix | |||
CD10-1 | 21st Century Schizoid Man | 7:23 min | |
CD10-2 | I Talk To The Wind | 6:01 min | |
CD10-3 | Epitaph | 8:52 min | |
CD10-4 | Moonchild | 9:02 min | |
CD10-5 | The Court Of The Crimson King | 9:31 min | |
Aditional Material | |||
CD10-6 | Moonchild (Full Version) | 12:15 min | |
CD10-7 | I Talk To The Wind (Duo Version) | 4:56 min | |
CD10-8 | I Talk To The Wind (Alternate Mix) | 6:37 min | |
CD10-9 | Epitaph (Backing Track) | 9:05 min | |
CD10-10 | Wind Session (21st Century Schizoid Man Intro) | 4:31 min | |
In The Court Of The Crimson King, 2019 Stereo Mix | |||
CD11-1 | 21st Century Schizoid Man | 7:22 min | |
CD11-2 | I Talk To The Wind | 6:04 min | |
CD11-3 | Epitaph | 8:47 min | |
CD11-4 | Moonchild | 12:12 min | |
CD11-5 | The Court Of The Crimson King | 9:24 min | |
Instrumental Mixes | |||
CD11-6 | 21st Century Schizoid Man | 7:24 min | |
CD11-7 | I Talk To The Wind | 6:08 min | |
CD11-8 | Epitaph | 8:56 min | |
CD11-9 | Moonchild (Edit) | 2:28 min | |
CD11-10 | The Court Of The Crimson King | 9:21 min | |
Let's Make A Hit Waxing | |||
CD12-1 | King Crimson: Let's Make A Hit Waxing | 68:10 min | |
Sessions 1 | |||
June 12 | |||
CD13-1 | 21st Century Schizoid Man (Morgan Studio Instrumental) | 6:46 min | |
July 7 | |||
CD13-2 | King Crimson: Epitaph Takes 1 To 3 | 24:31 min | |
CD13-3 | King Crimson: Epitaph Takes 4 To 8 | 12:04 min | |
July 9 | |||
CD13-4 | King Crimson: I Talk To The Wind Takes 1 To 4 | 14:14 min | |
Sessions 2 | |||
July 9 | |||
CD14-1 | King Crimson: I Talk To The Wind Takes 5 To 8 | 27:41 min | |
CD14-2 | King Crimson: I Talk To The Wind Takes 9 To 12 | 25:37 min | |
July 10 | |||
CD14-3 | King Crimson: The Court of the Crimson King Stereo Takes | 25:43 min | |
Sessions 3 | |||
July 10 | |||
CD15-1 | King Crimson: The Court Of The Crimson King Take 6 | 9:38 min | |
July 16 | |||
CD15-2 | King Crimson: The Court Of The Crimson King Take 1 And 2 | 13:52 min | |
CD15-3 | King Crimson: The Court Of The Crimson King Takes 3 To 7 | 31:10 min | |
CD15-4 | King Crimson: The Court Of The Crimson King Takes 8 To 10 | 17:11 min | |
CD15-5 | King Crimson: The Court Of The Crimson King Trailer Take 1 | 2:37 min | |
Sessions 4 | |||
July 21 | |||
CD16-1 | The Court Of The Crimson King (Stormy Mix) | 2:04 min | |
CD16-2 | King Crimson: I Talk To The Wind Takes 3 To 6 | 25:38 min | |
CD16-3 | King Crimson: I Talk To The Wind Takes 7 To 9 | 22:03 min | |
CD16-4 | King Crimson: I Talk To The Wind Early Take | 4:39 min | |
CD16-5 | King Crimson: Drum Check | 1:38 min | |
CD16-6 | King Crimson: 21st Century Schizoid Man Sax Sound Check | 2:55 min | |
CD16-7 | King Crimson: Ahh (Stormy Mix) | 1:05 min | |
CD16-8 | I Talk To The Wind (Stormy Mix) | 4:16 min | |
Sessions 5 | |||
July 30 | |||
CD17-1 | Epitaph Takes 1 To 3 | 28:25 min | |
CD17-2 | King Crimson: Epitaph Takes 5 To 11 | 24:27 min | |
CD17-3 | King Crimson: Epitaph Take 2 (Stormy Mix) | 9:54 min | |
Sessions 6 | |||
July 31 | |||
CD18-1 | King Crimson: Moonchild Takes 1 To 8 | 21:14 min | |
CD18-2 | King Crimson: Moonchild Take 9 (Complete) | 12:35 min | |
August 6 | |||
CD18-3 | King Crimson: Trailer Take And Take Overdubbed | 3:48 min | |
CD18-4 | King Crimson: Pipe Organ Takes | 1:45 min | |
CD18-5 | King Crimson: Wind Noise Takes | 17:17 min | |
August 13 | |||
CD18-6 | King Crimson: The Court Of The Crimson King Takes | 19:24 min | |
Sessions | |||
MLP Lossless Stereo , LPCM Stereo , Sessions (24/48) | |||
June 12 | |||
DVD1-1 | 21st Century Schizoid Man (Morgan Studio Instrumental) | 6:48 min | |
July 7 | |||
DVD1-2 | Epitaph Takes 1 To 3 | ||
DVD1-3 | Epitaph Takes 4 To 8 | ||
July 9 | |||
DVD1-4 | I Talk To The Wind Takes 1 To 4 | ||
DVD1-5 | I Talk To The Wind Takes 5 To 8 | ||
DVD1-6 | I Talk To The Wind Takes 9 To 12 | ||
July 10 | |||
DVD1-7 | The Court of the Crimson King Stereo Takes | ||
DVD1-8 | The Court Of The Crimson King Take 6 | ||
July 16 | |||
DVD1-9 | The Court Of The Crimson King Take 1 And 2 | ||
DVD1-10 | The Court Of The Crimson King Takes 3 To 7 | ||
DVD1-11 | The Court Of The Crimson King Takes 8 To 10 | ||
DVD1-12 | The Court Of The Crimson King Trailer Take 1 | ||
July 21 | |||
DVD1-13 | I Talk To The Wind Early Take | ||
DVD1-14 | I Talk To The Wind Takes 3 To 6 | ||
DVD1-15 | I Talk To The Wind Takes 7 To 9 | ||
DVD1-16 | King Crimson: 21st Century Schizoid Man Sax Soundcheck | ||
July 30 | |||
DVD1-17 | Epitaph Takes 1 To 3 | ||
DVD1-18 | Epitaph Takes 5 To 11 | ||
July 31 | |||
DVD1-19 | Moonchild Takes 1 To 8 | ||
DVD1-20 | Moonchild Take 9 | ||
August 6 | |||
DVD1-21 | King Crimson: Trailer And Trailer (Take, Take Overdubbed) | ||
DVD1-22 | Pipe Organ Takes | ||
DVD1-23 | Wind Noise Takes | ||
August 13 | |||
DVD1-24 | The Court Of The Crimson King Takes | 19:26 min | |
MLP Lossless Stereo , LPCM Stereo , Let's Make A Hit Waxing (24/48) | |||
DVD1-25 | Let's Make A Hit Waxing | 68:09 min | |
LPCM Stereo (16/48) | |||
Stormy Selections | |||
DVD1-26 | The Court Of The Crimson King | ||
DVD1-27 | Ahh | ||
DVD1-28 | I Talk To The Wind | ||
DVD1-29 | Epitaph Take 2 | ||
2019 Mixes | |||
MLP Lossless 5.1 Surround, DTS 5.1 Digital Surrond | |||
DVD2-1 | 21st Century Schizoid Man | ||
DVD2-2 | I Talk To The Wind | ||
DVD2-3 | Epitaph | ||
DVD2-4 | Moonchild | ||
DVD2-5 | The Court Of The Crimson King | ||
MLP Lossless Stereo , LPCM Stereo (24/48) | |||
DVD2-6 | 21st Century Schizoid Man | ||
DVD2-7 | I Talk To The Wind | ||
DVD2-8 | Epitaph | ||
DVD2-9 | Moonchild | ||
DVD2-10 | The Court Of The Crimson King | ||
Original Master Edition | |||
DVD2-11 | 21st Century Schizoid Man | ||
DVD2-12 | I Talk To The Wind | ||
DVD2-13 | Epitaph | ||
DVD2-14 | Moonchild | ||
DVD2-15 | The Court Of The Crimson King | ||
Video Content | |||
DVD2-16 | King Crimson: Hyde Park Film Snippet | ||
Sessions | |||
LPCM Stereo , Giles, Giles and Fripp (24/192) | |||
BD1-1 | Giles, Giles And Fripp: Tremelo Study In A Major (Spanish Suite) | ||
BD1-2 | Giles, Giles And Fripp: Suite No. 1 | ||
BD1-3 | Giles, Giles And Fripp: Scrivens | ||
BD1-4 | Giles, Giles And Fripp: Why Don't You Just Drop In (i) | ||
BD1-5 | I Talk To The Wind (i) | ||
BD1-6 | Giles, Giles And Fripp: Plastic Pennies | ||
BD1-7 | Giles, Giles And Fripp: Passages Of Time | ||
BD1-8 | Giles, Giles And Fripp: Under The Sky (ii) | ||
BD1-9 | I Talk To The Wind (ii) | ||
BD1-10 | Giles, Giles And Fripp: Erudite Eyes | ||
BD1-11 | Giles, Giles And Fripp: Make It Today (ii) | ||
BD1-12 | Giles, Giles And Fripp: Wonderland | ||
BD1-13 | Why Don't You Just Drop In (ii) | ||
BD1-14 | Giles, Giles And Fripp: She Is Loaded | ||
Sessions | |||
LPCM Stereo , Sessions (24/96) | |||
June 12 | |||
BD1-15 | 21st Century Schizoid Man (Morgan Studio Instrumental) | ||
July 7 | |||
BD1-16 | Epitaph Takes 1 To 3 | ||
BD1-17 | Epitaph Takes 4 To 8 | ||
July 9 | |||
BD1-18 | I Talk To The Wind Takes 1 To 4 | ||
BD1-19 | I Talk To The Wind Takes 5 To 8 | ||
BD1-20 | I Talk To The Wind Takes 9 To 12 | ||
July 10 | |||
BD1-21 | The Court of the Crimson King Stereo Takes | ||
BD1-22 | The Court Of The Crimson King Take 6 | ||
July 16 | |||
BD1-23 | The Court Of The Crimson King Take 1 And 2 | ||
BD1-24 | The Court Of The Crimson King Takes 3 To 7 | ||
BD1-25 | The Court Of The Crimson King Takes 8 To 10 | ||
BD1-26 | The Court Of The Crimson King Trailer Take 1 | ||
July 21 | |||
BD1-27 | I Talk To The Wind Early Take | ||
BD1-28 | I Talk To The Wind Takes 3 To 6 | ||
BD1-29 | I Talk To The Wind Takes 7 To 9 | ||
BD1-30 | 21st Century Schizoid Man Sax Sound Check | ||
July 30 | |||
BD1-31 | Epitaph Takes 1 To 3 | ||
BD1-32 | Epitaph Takes 5 To 11 | ||
July 31 | |||
BD1-33 | Moonchild Takes 1 To 8 | ||
BD1-34 | Moonchild Take 9 | ||
August 6 | |||
BD1-35 | Trailer And Trailer (Take, Take Overdubbed) | ||
BD1-36 | Pipe Organ Takes | ||
BD1-37 | Wind Noise Takes | ||
August 13 | |||
BD1-38 | The Court Of The Crimson King Takes | ||
LPCM Stereo , Live At Chesterfield September 6 1969 (24/192) | |||
BD1-39 | 21st Century Schizoid Man | ||
BD1-40 | Drop In | ||
BD1-41 | Epitaph | ||
BD1-42 | Get Thy Bearings | ||
BD1-43 | I Talk To The Wind | ||
BD1-44 | The Court Of The Crimson King | ||
BD1-45 | Mantra | ||
BD1-46 | Travel Weary Capricorn | ||
BD1-47 | Improv | ||
BD1-48 | Mars | ||
LPCM Stereo , Additional Material (16/48) | |||
BD1-49 | The Court Of The Crimson King | ||
BD1-50 | Ahh | ||
BD1-51 | I Talk To The Wind | ||
BD1-52 | Epitaph Take 2 | ||
2009 Mixes | |||
DTS-HD Master Surround, LPCM 5.1 Surround) | |||
BD2-1 | 21st Century Schizoid Man | ||
BD2-2 | I Talk To The Wind | ||
BD2-3 | Epitaph | ||
BD2-4 | Moonchild | ||
BD2-5 | The Court Of The Crimson King | ||
LPCM Stereo (24/96) | |||
BD2-6 | 21st Century Schizoid Man | ||
BD2-7 | I Talk To The Wind | ||
BD2-8 | Epitaph | ||
BD2-9 | Moonchild | ||
BD2-10 | The Court Of The Crimson King | ||
Additional Material | |||
BD2-11 | Moonchild (Full Version) | ||
BD2-12 | I Talk To The Wind (Duo Version) | ||
BD2-13 | I Talk To The Wind (Alternate Mix) | ||
BD2-14 | Epitaph (Backing Track) | ||
BD2-15 | Wind Session (21st Century Schizoid Man Intro) | ||
The Alternative Album | |||
BD2-16 | 21st Century Schizoid Man (Instrumental) | ||
BD2-17 | I Talk To The Wind (Studio Run Through) | ||
BD2-18 | Epitaph (Alternative Version) | ||
BD2-19 | Moonchild (Take 1) | ||
BD2-20 | The Court Of The Crimson King (Take 3) | ||
LPCM Vinyl Transfers (24/48) | |||
UK Island | |||
BD2-21 | 21st Century Schizoid Man | ||
BD2-22 | I Talk To The Wind | ||
BD2-23 | Epitaph | ||
BD2-24 | Moonchild | ||
BD2-25 | The Court Of The Crimson King | ||
BD2-26 | The Court Of The Crimson King (Single A Side) | ||
BD2-27 | The Court Of The Crimson King (Single B Side) | ||
Mono Promo | |||
BD2-28 | 21st Century Schizoid Man | ||
BD2-29 | I Talk To The Wind | ||
BD2-30 | Epitaph | ||
BD2-31 | Moonchild | ||
BD2-32 | The Court Of The Crimson King | ||
BD2-33 | The Court Of The Crimson King (Promo A Side) | ||
2019 Mixes | |||
DTS-HD Master Surround, LPCM 5.1 Surround | |||
BD3-1 | 21st Century Schizoid Man | ||
BD3-2 | I Talk To The Wind | ||
BD3-3 | Epitaph | ||
BD3-4 | Moonchild | ||
BD3-5 | The Court Of The Crimson King | ||
LPCM Stereo Mixes (24/96) | |||
BD3-6 | 21st Century Schizoid Man | ||
BD3-7 | I Talk To The Wind | ||
BD3-8 | Epitaph | ||
BD3-9 | Moonchild | ||
BD3-10 | The Court Of The Crimson King | ||
Instrumental Mixes | |||
BD3-11 | 21st Century Schizoid Man | ||
BD3-12 | I Talk To The Wind | ||
BD3-13 | Epitaph | ||
BD3-14 | Moonchild | ||
BD3-15 | The Court Of The Crimson King | ||
Original Master Edition | |||
BD3-16 | 21st Century Schizoid Man | ||
BD3-17 | I Talk To The Wind | ||
BD3-18 | Epitaph | ||
BD3-19 | Moonchild | ||
BD3-20 | The Court Of The Crimson King | ||
Alternate Album | |||
BD3-21 | 21st Century Schizoid Man (Morgan Studio Version With Overdubs) | ||
BD3-22 | I Talk To The Wind (Alternative 2019 Mix) | ||
BD3-23 | I Talk To The Wind (Duo Version 2019 Mix) | ||
BD3-24 | Epitaph (Isolated Vocal 2019 Mix) | ||
BD3-25 | Epitaph (Alternative Take 2019 Mix) | ||
BD3-26 | Moonchild (Take 1, 2019 Mix) | ||
BD3-27 | The Court Of The Crimson King (Take 3 2019 Mix) | ||
96/24 LPCM Stereo Additional Material | |||
BD3-28 | Wind Session | ||
BD3-29 | 21st Century Schizoid Man (Trio Version 2019 Mix) | ||
BD3-30 | I Talk To The Wind (Studio Run Through, 2019 Mix) | ||
BD3-31 | Epitaph (Backing Track, 2019 Mix) | ||
BD3-32 | Moonchild (Album Edit, 2009 Mix) | ||
BD3-33 | The Court Of The Crimson King (Take 3 2009 Mix) | ||
BD3-34 | 21st Century Schizoid Man (Morgan Studios Instrumental Take, 1969) | ||
BD3-35 | The Court Of The Crimson King (Part 1) | ||
BD3-36 | The Court Of The Crimson King (Part 2) | ||
Video Content | |||
BD3-37 | Hyde Park Film Snippet (Audio Mono) | ||
2020 Mixes | |||
Dolby Atmos (24/48) | |||
BD4-1 | 21st Century Schizoid Man | ||
BD4-2 | I Talk To The Wind | ||
BD4-3 | Epitaph | ||
BD4-4 | Moonchild | ||
BD4-5 | The Court Of The Crimson King | ||
DTS-HD Master Surround LPCM 5.1 Surround (24/96) | |||
BD4-6 | I Talk To The Wind (Duo Version) | ||
LPCM Stereo (24/96) | |||
BD4-7 | Let's Make A Hit Waxing | ||
Giles, Giles And Fripp | |||
CD19-1 | Tremelo Study In A Major (Spanish Suite) | 1:41 min | |
CD19-2 | Suite No. 1 | 5:36 min | |
CD19-3 | Scrivens | 2:15 min | |
CD19-4 | Why Don't You Just Drop In (i) | 3:43 min | |
CD19-5 | I Talk To The Wind (i) | 3:22 min | |
CD19-6 | Plastic Pennies | 2:22 min | |
CD19-7 | Passages Of Time | 3:34 min | |
CD19-8 | Under The Sky (ii) | 2:52 min | |
CD19-9 | I Talk To The Wind (ii) | 3:15 min | |
CD19-10 | Erudite Eyes | 6:49 min | |
CD19-11 | Make It Today (ii) | 4:49 min | |
CD19-12 | Wonderland | 6:09 min | |
CD19-13 | Why Don't You Just Drop In (ii) | 3:42 min | |
CD19-14 | She Is Loaded | 3:15 min | |
BBC Sessions | |||
CD20-1 | 21st Century Schizoid Man | 7:08 min | |
CD20-2 | Epitaph | 7:09 min | |
CD20-3 | The Court Of The Crimson King | 6:29 min | |
CD20-4 | I Talk To The Wind | 4:39 min | |
CD20-5 | Get Thy Bearings | 5:54 min | |
Live at Fairfield Hall, Croydon, October 17, 1969 | |||
CD20-6 | King Crimson: Trees | 18:59 min |
King Crimson: In The Court Of The Crimson King - An Observation By King Crimson versie op CD/DVD in remastered editie. Deze specifieke uitgave werd uitgebracht in Europa en VK bij uitgeverij Discipline Global Mobile in samenwerking met Panegyric op 12. oktober 2009.
...an extraordinary masterpiece - Pete Townshend, 1969. This quote will always be associated with this album. At the time of the album's release, it was used in an advertisement. Despite the many false promises in the ad, it has stood the test of time. It's easy to forget how quickly things evolved in the first incarnation of King Crimson: They formed on 13 January 1969, by April they were already playing regularly at clubs like The Marquee and The Speakeasy and performing at the Lyceum with Tyrannosaurus Rex, in May they made the first of two recordings for the BBC, in June they held their first (aborted) album recording session, and in early July, in a major breakthrough, they played to 650,000 people in Hyde Park as support to the Rolling Stones.Recording the album in August, signing a deal with Island Records (and Atlantic in the US), missing the Isle of Wight festival due to illness/exhaustion, more gigs and a second BBC session in September, a unanimously praised Top 5 album in the UK, followed by a Top 30 debut in the US a few weeks later, then a US tour - performing at legendary venues like the Boston Tea Party, Kinetic Playground in Chicago, the Fillmore East in New York, and more shows with the Rolling Stones - this time at the Miami festival and, after a series of December shows at the Fillmore West in San Francisco, ended as quickly as it began - the arc from formation to the band's breakup lasted little more than 11 months. What remains is an iconic - both musically and in terms of cover art - self-produced debut album, a fearsome touring reputation, and the sense that the band had set its own agenda in its short existence.King Crimson have returned in many different line-ups over the years - each different from its predecessors, and with two shows at the Palladium in late 2018 and three shows at the Royal Albert Hall in June 2019, the current line-up has played to more people in London, the city where the band started, than at any time since 1969, and played more material from 1969 than any line-up since the original. The current line-up has more than once been described as "the best touring band in the world" - something that was also said of the original group.The studio recordings of the first King Crimson are still masterpieces fifty years on. Recorded in ten days and released on 10 October 1969, In the Court of the Crimson King is one of the albums that defined British rock music, and one of the best debut albums of all time. Pete Townshend has described the album, which has earned legendary status over the years, as "a wondrous masterpiece". It is the only studio document of an extraordinary year in the life of King Crimson. It began with the band's first rehearsal on 13 January, gigs at the Marquee Club in Hyde Park with the Rolling Stones, the recording and release of their first album, and the break-up of the line-up after their first US tour. This release was created directly from recently rediscovered original tapes by renowned engineer Simon Heyworth. The artwork was approved by King Crimson founder Robert Fripp.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock.
King Crimson: In The Court Of The Crimson King - An Observation By King Crimson versie op 2CD in remastered editie. Deze specifieke uitgave werd uitgebracht in Verenigd Koninkrijk bij uitgeverij Discipline Global Mobile op 16. oktober 2009.
King Crimson The debut album In The Court Of The Crimson King, released in 1969, is a groundbreaking achievement in progressive rock. The album is a blend of heavy rock, jazz and classical music and is considered one of the first progressive rock albums. The album's dark and atmospheric sound influenced many later progressive rock bands.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. The New Mixes.
King Crimson: In The Court Of The Crimson King (An Observation By King Crimson) versie op CD in remastered editie. Deze specifieke uitgave werd uitgebracht in Japan bij uitgeverij Discipline Global Mobile op 7. oktober 2022.
King Crimson The debut album In The Court Of The Crimson King, released in 1969, is a groundbreaking achievement in progressive rock. The album is a blend of heavy rock, jazz and classical music and is considered one of the first progressive rock albums. The album's dark and atmospheric sound influenced many later progressive rock bands.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. Shm CD.
King Crimson: In The Court Of The Crimson King versie op CD in standaard editie. Deze specifieke uitgave werd uitgebracht in Japan bij uitgeverij Discipline Global Mobile in samenwerking met Universal Music op 9. juni 2023.
King Crimson The debut album In The Court Of The Crimson King, released in 1969, is a groundbreaking achievement in progressive rock. The album is a blend of heavy rock, jazz and classical music and is considered one of the first progressive rock albums. The album's dark and atmospheric sound influenced many later progressive rock bands.
Album valt binnen het genre Rock, Progressieve rock en Symfonische rock. Shm CD Bonus Tracks.
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